This is a limited edition compact disk with a full color 16-page insert booklet containing photos from the recording session and liner notes written by Dr. Theodore W. Burgh
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about
One may ask why General Vicente Ramon Guerrero is included in a work focusing on Africa. While General Guerrero is not of Ghanian descent, he is unquestionably part of the African diaspora. A mestizo is a man of mixed race, thus some refer to him as “The Black Mexican.” Guerrero’s history is fascinating, as he was involved in warfare, rebellions, and politics. Guerrero was also the first person of African descent to serve as president of Mexico. During this time, he was instrumental in the abolishment of slavery in Mexico. Thus, D. Gardner found Guerrero’s liberation to be inspiration for the composition.
The song opens with a short piano solo over a smooth, syncopated, timbale-driven rhythm that lays the groundwork for an energetic, yet mellow melody from the horns. The close harmonies are reminiscent of the tensions generated in warfare and liberation. They grab and engage the listener.
The first part of the melody has an implied regal, stately feel that resolves into a set of warm, mellifluous, moving chords. The regal feel continues into the solo section as it takes off and swings hard. V. Gardner blazes the way leading the charge in much the way a general would. Dixon follows in the same fashion with a smoking contribution. Caldwell picks up the torch and seems to strategically take the listener in another direction with a hip, punctuated solo. Akoto follows and creates magic with his bass playing in the same manner. After a hot, soli horn interlude, D. Gardner takes charge and walks the song home playing over the repeated warm, moving chords from the second part of the melody. General Guerrero would be pleased.
credits
from Pan Africa,
track released January 13, 2023
Derrick Gardner - Trumpet
Vincent Gardner - Trombone
Robert Dixon - Alto & Tenor Saxophone
George Caldwell - Piano
Obasi Akoto - Bass
Kweku Sumbry - Drums & African Percussion
supported by 5 fans who also own “Vicente, The Afro-Mestizo”
An incredibly rich record, where jazz gets mixed with a lot of other sounds influences, like classical music and hip-hop. It is also very accessible yet superberly played. It's a really great piece of musical work. Thibaut Devigne